Arundhati Roy in Johannesburg—An essay on essays.
Essay An Analysis Of Arundhati Roy 's ' The God Of Small Things ' Arundhati Roy’s The God of Small Things is a story about trauma. Told through a series of nonlinear flashbacks, the reader learns of the effects of the event known as “The Terror” long before the narrative reveals its causes.
An analysis of the socioeconomic status in India as depicted by Arundhati Roy in The God of Small Things. Society, the word itself means a large group of people who live together in an organised way, making decisions about how to do things and sharing work that needs to be done.
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In the novel The God Of Small Things, Arundhati Roy employs numerous irregular stylistic devices which aid in her telling of the story. Set in the small town of Ayamenem in post-colonial India, the non-linear narrative follows the journey of twin protagonists Rahel and Estha as they grapple with a fractured family life, political turmoil, and a caste system in full effect.
The 1997 Booker Prize-winning novel The God of Small Things, Arundhati Roy’s first novel, is partially autobiographical. Similar to Rahel, Roy was born in a northeastern Indian state to a Syrian.
Suzanna Arundhati Roy (born 24 November 1961) is an Indian author best known for her novel The God of Small Things (1997), which won the Man Booker Prize for Fiction in 1997 and became the best-selling book by a non-expatriate Indian author. She is also a political activist involved in human rights and environmental causes.
ARUNDHATI ROY’S THE GOD OF SMALL THINGS: A CRITICAL STUDY OF NARRATIVE TECHNIQUE DR. PRATEEK PANDEY Assistant Professor Department of English GLA University, Mathura (UP) INDIA. The God of Small Things was the debut novel of an eminent Man Booker Prize winning author Arundhati Roy.